Old English libraries : the making, collection, and use of books during the…

(12 User reviews)   4225
By Jacob Brown Posted on Jan 3, 2026
In Category - Time Travel
Savage, Ernest Albert, 1877-1966 Savage, Ernest Albert, 1877-1966
English
If you've ever wondered how books survived from the Dark Ages to the Renaissance, this is your backstage pass. Ernest Savage's book isn't about famous kings or epic battles—it's about the quiet, stubborn people who saved knowledge itself. He shows us the monks painstakingly copying manuscripts by candlelight, the collectors who risked everything to build libraries, and the wild journey a single book might take across centuries. It solves the mystery of how ideas lived on when so much was being lost. It makes you look at every old book on a shelf and wonder about the hands that protected it for you.
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were in the mood might obtain further information by following them up. In a book covering a long period and touching national and local history at many points, I cannot hope to have escaped errors; and I shall be grateful if readers will bring them to my notice. I need hardly say I am especially indebted to the splendid work accomplished by Dr. Montague Rhodes James, the Provost of King’s College, in editing _The Ancient Libraries of Canterbury and Dover_, and in compiling the great series of descriptive catalogues of manuscripts in Cambridge and other colleges. I have long marvelled at Dr. James’ patient research; at his steady perseverance in an aim which, even when attained--as it now has been--could only win him the admiration and esteem of a few scholars and lovers of old books. I have to thank Mr. Hutt for much general help, and for reading all the proof slips. To Canon C. M. Church, M.A., of Wells, I am indebted for his kindness in answering inquiries, for lending me the illustration of the exterior of Wells Cathedral Library, and for permitting me to reproduce a plan from his book entitled _Chapters in the Early History of the Church of Wells_. The Historic Society of Lancashire and Cheshire have kindly allowed me to reproduce a part of their plan of Birkenhead Priory. Illustrations were also kindly lent by the Clarendon Press, the Cambridge University Press, Mr. John Murray, Mr. Fisher Unwin, the Editor of _The Connoisseur_, and Mr. G. Coffey, of the Royal Irish Academy. A small portion of the first chapter has appeared in _The Library_, and is reprinted by kind permission of the editors. Mr. C. W. Sutton, M.A., City Librarian of Manchester, has been in every way kind and patient in helping me. So too has Mr. Strickland Gibson, M.A., of the Bodleian Library, especially in connexion with the chapter on Oxford Libraries. Thanks are due also to the Deans of Hereford, Lincoln, and Durham, to Mr. Tapley-Soper, City Librarian of Exeter, and to Mr. W. T. Carter, Public Librarian of Warwick; also to my brother, V. M. Savage, for his drawings. The general editor of this series, the Rev. J. Charles Cox, LL.D., F.S.A., gave me much help by reading the manuscript and proofs; and I am grateful to him for many courtesies and suggestions. ERNEST A. SAVAGE CONTENTS CHAP. PAGE I. THE USE OF BOOKS IN EARLY IRISH MONASTERIES 1 II. THE ENGLISH MONKS AND THEIR BOOKS 23 III. LIBRARIES OF THE GREAT ABBEYS--BOOK-LOVERS AMONG THE MENDICANTS--DISPERSAL OF MONKISH LIBRARIES 45 IV. BOOK MAKING AND COLLECTING IN THE RELIGIOUS HOUSES 73 V. CATHEDRAL AND CHURCH LIBRARIES 109 VI. ACADEMIC LIBRARIES: OXFORD 133 VII. ACADEMIC LIBRARIES: CAMBRIDGE 155 VIII. ACADEMIC LIBRARIES: THEIR ECONOMY 165 IX. THE USE OF BOOKS TOWARDS THE END OF THE MANUSCRIPT PERIOD 173 X. THE BOOK TRADE 199 XI. THE CHARACTER OF THE MEDIEVAL LIBRARY, AND THE EXTENT OF CIRCULATION OF BOOKS 209 APPENDIX A. PRICES OF BOOKS AND MATERIALS FOR BOOK-MAKING 243 APPENDIX B. LIST OF CERTAIN CLASSIC AUTHORS FOUND IN MEDIEVAL CATALOGUES 258 APPENDIX C. LIST OF MEDIEVAL COLLECTIONS OF BOOKS 263 APPENDIX D. LIST OF THE PRINCIPAL REFERENCE WORKS 286 LIST OF ILLUSTRATIONS IN THE TEXT PAGE WRITING IN THE BOOK OF KELLS 14 From THOMPSON’S _Greek and Latin Palæography_ WRITING IN BOOK OF ARMAGH 15 From THOMPSON’S _Greek and Latin Palæography_ WRITING IN GRÆCO-LATIN ACTS, PROBABLY USED BY BEDE 27 From MS. Bodl. Laud. Gr. 35, f. 63 WRITING IN BENEDICTIONAL OF ST. ETHELWOLD 43 From _Archæologia_, xxiv. PLAN OF SCRIPTORIUM, BIRKENHEAD PRIORY 74 Redrawn...

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Forget dry history. Old English Libraries is a detective story about the survival of ideas. Ernest Savage doesn't just list library inventories; he follows the trail of the book itself. He starts in the early monastic scriptoriums, where copying a text was a sacred act of preservation. From there, he tracks how these collections grew, moved, got scattered by wars and dissolution, and were sometimes miraculously reassembled by later collectors. The 'plot' is the life cycle of a library—its creation, its peril, and its legacy.

Why You Should Read It

This book changed how I see libraries. They're not just buildings with books; they're fortresses. Savage makes you feel the urgency of those early keepers. When he describes a monk finishing a copy of Boethius as Viking raids threaten the monastery, you understand this was a race against oblivion. It's deeply human. It’s about our need to pass on what we know, and the fragile chain of people required to do it.

Final Verdict

Perfect for history buffs who love deep dives into how things actually worked, or for any book lover curious about the 'before' part of a book's life. If you've ever felt a connection to an old volume, this book explains why. It’s not a light read, but it’s a rewarding one. You’ll finish it and walk into your local library with a whole new sense of respect.



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Richard Taylor
1 year ago

From the very first page, it manages to explain difficult concepts in plain English. I couldn't put it down.

Mason Brown
1 year ago

Recommended.

Edward Jackson
9 months ago

Having read this twice, it challenges the reader's perspective in an intellectual way. Definitely a 5-star read.

Jackson Martin
1 month ago

After hearing about this author multiple times, the storytelling feels authentic and emotionally grounded. Truly inspiring.

Kevin Clark
1 year ago

This is one of those stories where the pacing is just right, keeping you engaged. Worth every second.

4.5
4.5 out of 5 (12 User reviews )

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