A Little English Gallery by Louise Imogen Guiney

(7 User reviews)   3754
By Jacob Brown Posted on Jan 13, 2026
In Category - Space Opera
Guiney, Louise Imogen, 1861-1920 Guiney, Louise Imogen, 1861-1920
English
Hey, have you ever felt like you know the names of famous historical figures but don't really know the people behind them? That's exactly what 'A Little English Gallery' tackles. It's not a dry history book—it's more like being taken on a personal tour through 17th-century England by someone who genuinely loves these forgotten characters. Guiney introduces us to writers and poets who were famous in their day but have since faded from memory. The main 'mystery' she's solving is: why did we forget these people, and what made them special? She digs up their personal letters, their quirky habits, their friendships and rivalries, and presents them as real, complicated humans rather than just names in a textbook. If you enjoy history but wish it felt more like hearing stories about interesting people at a coffee shop rather than memorizing dates, this little collection is a hidden gem. It's short, beautifully written, and will leave you feeling like you've made a few new—if centuries-old—friends.
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intervals, and from sheer interest in their subjects, long ago. Portions of them, or rough drafts of what has since been wholly remodelled from fresher and fuller material at first hand, have appeared within five years in _The Atlantic Monthly_, _Macmillan’s_, _The Catholic World_, and _Poet-Lore_; and thanks are due the magazines for permission to reprint them. Yet more cordial thanks, for kind assistance on biographical points, belong to the Earl of Powis; the Rev. R. H. Davies, Vicar of old St. Luke’s, Chelsea; the Rev. T. Vere Bayne, of Christchurch, and H. E. D. Blakiston, Esq., of Trinity College, Oxford; T. W. Lyster, Esq., of the National Library of Ireland; Aubrey de Vere Beauclerk, Esq.; Miss Langton, of Langton-by-Spilsby; the Vicars of Dauntsey, Enfield Highway, and Montgomery, and especially those of High Ercall and Speke; and the many others in England through whose courtesy and patience the tracer of these unimportant sketches has been able to make them approximately life-like. CONTENTS CHAP. PAGE I. LADY DANVERS (1561-1627) 1 II. HENRY VAUGHAN (1621-1695) 53 III. GEORGE FARQUHAR (1677-1707) 119 IV. TOPHAM BEAUCLERK (1739-1780) AND BENNET LANGTON (1741-1800) 171 V. WILLIAM HAZLITT (1778-1830) 229 I LADY DANVERS 1561-1627 MR. MATTHEW ARNOLD somewhere devotes a grateful sentence to the women who have left a fragrance in literary history, and whose loss of long ago can yet inspire men of to-day with indescribable regret. Lady Danvers is surely one of these. As John Donne’s dear friend, and George Herbert’s mother, she has a double poetic claim, like her unforgotten contemporary, Mary Sidney, for whom was made an everlasting epitaph. If Dr. Donne’s fraternal fame have not quite the old lustre of the incomparable Sir Philip’s, it is, at least, a greater honor to own Herbert for son than to have perpetuated the race of Pembroke. Nor is it an inharmonious thing to remember, in thus calling up, in order to rival it, the sweet memory of “Sidney’s sister,” that Herbert and Pembroke have long been, and are yet, married names. Magdalen, the youngest child of Sir Richard Newport, and of Margaret Bromley, his wife, herself daughter of that Bromley who was Privy-Councillor, Lord Chief-Justice, and executor to Henry VIII., was born in High Ercall, Salop; the loss or destruction of parish registers leaves us but 1561-62 as the probable date. Of princely stock, with three sisters and an only brother, and heir to virtue and affluence, she could look with the right pride of unfallen blood upon “the many fair coats the Newports bear” over their graves at Wroxeter. It was the day of learned and thoughtful girls; and this girl seems to have been at home with book and pen, with lute and viol. She married, in the flower of her youth, Richard Herbert, Esquire, of Blache Hall, Montgomery, black-haired and black-bearded, as were all his line; a man of some intellectual training, and of noted courage, descended from a distinguished brother of the yet more distinguished Sir Richard Herbert of Edward IV.’s time, and from the most ancient rank of Wales and England. At Eyton in Salop, in 1581, was born their eldest child, Edward, afterwards Lord Herbert of Cherbury, a writer who is still the puzzle and delight of Continental critics. He is said to have been a beautiful boy, and not very robust; his first speculation with his infant tongue was the piercing query: “How came I into this world?” But his next brother, Richard, was of another stamp; and went his frank, flashing, fighting way through Europe, “with scars of four-and-twenty wounds upon him, to his grave” at...

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First published in 1894, A Little English Gallery is a collection of biographical essays. Louise Imogen Guiney acts as your guide, introducing you to a handful of 17th-century literary figures who have slipped out of the mainstream spotlight.

The Story

There isn't a single plot, but rather a series of portraits. Guiney focuses on individuals like the lyrical poet Henry Vaughan, the scholarly Izaak Walton (yes, the fisherman), and the royalist writer Richard Crashaw. She doesn't just list their achievements. Instead, she pieces together their lives from letters, old books, and personal anecdotes. You learn about Vaughan's deep connection to the Welsh landscape, Walton's quiet life of friendship and reflection, and Crashaw's turbulent exile. She shows their struggles, their faith, their quiet moments of inspiration, and how their personal worlds shaped their work. It's less about grand historical events and more about the texture of their daily lives.

Why You Should Read It

What makes this book special is Guiney's voice. She writes with warmth and a clear affection for her subjects. Reading it feels like listening to a knowledgeable friend share her latest fascinating discovery. You get a real sense of these people as humans—not just historical data points. She makes a distant century feel accessible and alive. The themes are timeless: the search for beauty, the comfort of nature, the impact of political strife on an artist's life, and the simple desire to create something meaningful. It’s a quiet, thoughtful book that slows you down and makes you appreciate the quieter voices in history.

Final Verdict

This book is perfect for history buffs who prefer personality over politics, for readers who love beautiful, thoughtful prose, and for anyone who enjoys literary detective work. If you like books like How to Live or enjoy the biographical sketches in a magazine like The New Yorker, you'll find a kindred spirit in Guiney. It's a slim volume, ideal for a weekend afternoon or bedtime reading. Just be warned: you'll probably finish it and immediately start searching the internet for more about her fascinating 'forgotten' characters.



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Kimberly Martinez
1 year ago

Very helpful, thanks.

Ava White
1 month ago

Not bad at all.

Michelle Garcia
10 months ago

Text is crisp, making it easy to focus.

Nancy Gonzalez
1 year ago

Clear and concise.

Margaret Nguyen
11 months ago

Great reference material for my coursework.

5
5 out of 5 (7 User reviews )

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